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2017.05.11 Thu, by

Zhou Li’s solo exhibition: Shadow of the Wind

Yuz Museum is honored to present Zhou Li’s solo exhibition “Shadow of the Wind” from February 25th, 2017. It is also a new beginning for the artist to do the first solo exhibition in the museum after more than 10 years of thinking, exploration and self-challenging since her last solo exhibition at National Art Museum […] >> Read more
2020.09.27 Sun, by

Double Moon
Going for a walk with Yuan Yuan and Wang Zhibo
in Berlin and Hangzhou

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more
2019.12.09 Mon, by

Lianzhou Photo Festival

(中文) 摄影的魅力是观众的阅历体验与摄影师灵感的碰撞,观众在展览中找到某一种经历,某一种情绪的落脚点,达成共鸣,摄影的意义由此存在,展览的意义也在于此。 >> Read more
2019.04.08 Mon, by

Katharina Grosse: Mumbling Mud is Opening at K11 Guangzhou

(Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> Read more
2018.05.17 Thu, by

Zheng Zhou
Edouard Malingue Gallery

2014 was a special year for the artist Zheng Zhou. >> Read more
2017.08.28 Mon, by

ZHENG ZHOU
‘Celestial Phenomena’
Edouard Malingue Gallery, Shanghai

Delineated contours, a subconscious blur of decipherable imagery and extraneouselements >> Read more
Interviews, 2015.10.29 Thu, by

A Surprising Package!
Zhou Xiaohu and David Elliott
in conversation

The "surprising package" in question here is Selina Abromovic (aka "Baby No 1") on the "Sexy Hotline" that, using the template of late-night sex advertisements on German TV >> Read more
Interviews, 2013.07.15 Mon, by

Rebaudengo Foundation buys Liu Wei’s Library
Zhou Xiaohu wins DAAD fellowship

Shanghai artist Zhou Xiaohu (b. 1960) awarded DAAD fellowship for the Berlin Artist Program residency >> Turin Foundation Rebaudengo purchases Liu Wei's (b. 1972) "Library" >> Read more
艺术家档案, 2013.03.14 Thu, by

The Afterlife of Images: Yan Lei and Zhou Tiehai

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more
艺术家档案, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

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